![]()
Still image from That the Earth is the Middle of the World, 2-channel HD video & sound, 11-minute seamless loop, 2020.
Still image from That the Earth is the Middle of the World, 2-channel HD video & sound, 11-minute seamless loop, 2020.
![]()
Still image from That the Earth is the Middle of the World, 2-channel HD video & sound, 11-minute seamless loop, 2020.
![]()
Still image from That the Earth is the Middle of the World, 2-channel HD video & sound, 11-minute seamless loop, 2020.
![]()
Still image from That the Earth is the Middle of the World, 2-channel HD video & sound, 11-minute seamless loop, 2020.
![]()
Still image from That the Earth is the Middle of the World, 2-channel HD video & sound, 11-minute seamless loop, 2020.
![]()
Still image from That the Earth is the Middle of the World, 2-channel HD video & sound, 11-minute seamless loop, 2020.
Simulated installation, excerpt of That the Earth is the Middle of the World, 2-channel HD video & sound, 11-minute seamless loop, 2020.
That the Earth is the Middle of the World (2020) is a two-channel video that incorporates
excerpts from Pliny’s Naturalis Historia (79 CE), a scientific encyclopedia cataloging all the
earth’s elements, systems and creatures known at the time in the early Roman Empire. This text
is one of the first of its kind in its formulation of an encyclopedic approach towards natural
phenomena, and has since become fundamental to the study, documentation and knowledge of
nature in the West.
Each channel of the video is projected onto free-standing, billboard-like structures. On the left, a
submerged humanoid narrator recites chapter headings from the table of contents of Naturalis
Historia, while on the right we bear witness to a baroque and hallucinatory ecosystem seething
with natural and synthetic life forms. The video is a collage of over 500 elements, and imagines
“nature” as a product of conceptual bricolage informed by the arts, sciences, technology
industries and pop culture.
The endless list of natural phenomena recited by the narrator
conjures both creation à la Noah’s arc and extinction— an endless womb-grave in which the
human is imagined as a residual or vestigial structure of the landscape. A self-conscious
investigation of apocalyptic aesthetics, the work both indulges in and grapples with the
cinematic languages of spectacle and destruction. As the two scenes are intermittently
drenched by rainfall and fogged by morning mist, foley tropes borrowed from horror and sci-fi
cinema create a narrative that vacillates between earnestness and irony, between the Romantic,
the tragic and the absurd.
Credits
Written, directed and animated by Mara Eagle
Voice by Ayam Yaldo; Water loop animation by Stephen McLeod.
Special thanks to Jamie Macaulay, Ayam Yaldo, Phil Hawes, Nadia Myre, Eric Simon & Tobias Rees.
This work was made possible with the generous financial support of the Berggruen Institute.
Please contact hambonbonehoney@gmail.com to access the full preview version.